Attic Arts is a residency programme at the Romanian Cultural Institute in London offering time (two months) and space (the cosy studio of the Institute) for Romanian and Moldovan artists to develop and achieve a new project to be integrated within the Institute’s programme. The applicants have to propose a project that will subsequently be presented at the ICR London or external premises as appropriate. The successful applicants will acknowledge the Attic Arts programme in any public communication of their projects.
The resident artists will have the opportunity to work in a major capital that provides a distinctive mix of cultures, ethnic communities, heritage, and innovation. At the same time, the artists will collaborate with the ICR London team and local partners to develop and complete the proposed project.
Joi, 12 ianuarie, 2012, 19:00
In loc de a asambla concepte cu precizie si competenta curatoriala, ce anume ar rezulta din introducerea indoielii si ezitarii ca principii de baza ale realizarii unei expozitii? Ce tip de cunoastere poate fi dobandit dintr-o asemenea pozitie curatoriala dubitativa? Inseamna oare ca expozitia se va narui in sine sau exista cumva alte modalitati de asamblare si traire a expozitiei care pot fi atinse?
Niels Van Tomme este un curator, cercetator si critic de arta stabilit in New York. Cea mai recenta expozitie curatoriata de Van Tomme este “Where Do We Migrate To?”, inaugurata la Centrul pentru Arta, Design si Cultura Vizuala din Baltimore si care va fi itinerata la New Parsons School of Design din New York, CAC in New Orleans, si la Centrul Rubin de Arte Vizuale din El Paso. El este editor colaborator al Art Papers si publica in periodice, reviste si cataloage expozitionale internationale. Van Tomme este in prezent coeditor al cartii intitulate “Aestheic Justice” (Justitia Estetica), care va aparea in Colectia Antennae, publicata de Valiz, Amsterdam, in 2012.
Conferinta sustinuta in cadrul expozitiei “Melancolia nu e indeajuns…”, curatoriata de Niels Van Tomme.
Imagine: Henri Cartier-Bresson, Incoronarea Regelui George VI, Londra, 1937.
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Niels Van Tomme
The Aporia of Curating
LECTURE
Thursday, January 12, 2012, 19:00
Instead of installing concepts with certainty and curatorial authority, what would result in introducing doubt and hesitation as the ruling principles of exhibition making? What kind of knowledge can be acquired from such a skeptical curatorial position? Does it mean that the exhibition will necessarily collapse into itself, or are there other modes of exhibition making, and experiencing, attainable? Citește în continuare Aporia curatoriatului cu Niels Van Tomme la Pavilion→
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